Both his splashy snares and floor-scraping drops (the essential "hook" in dubstep) figure prominently in a production style that's sleek and metallic, but also free-spirited and accessible.īeyond the music, what's incredible about Skrillex's rise-he was nominated for five GRAMMYs this year, including Best New Artist-is that his notoriety is almost exclusively fan-driven, with little-to-no marketing muscle behind it. His toothy synth lines dominate the midrange, and can cut through a packed dance floor like a samurai sword through butter. native has tapped into since 2007, when he quit his gig as frontman for the screamo-thrash outfit From First To Last to devote himself full-time to DJing and producing.ĭrawing inspiration from the nu-school work of Flux Pavilion, Doctor P, Noisia and other artists from the UK and Europe, Skrillex has virtually remade dubstep-a club-ready amalgam of dub, drum-and-bass, speed garage and other alt-techno styles-into a sound all his own. It's just a taste of what the 24-year-old L.A.
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So we really connected, and I think we made a really good record."įor Krieger, Manzarek and Densmore, the session was little more than a loose jam, but Skrillex set about chopping and screwing a few select loops into a finished song called "Breakn' a Sweat," one of the more tribal-sounding highlights of his Bangarang EP, released last December. They were like, in the Amazon with a machete, just chopping away, just going for it and not really knowing where they were going. They just made music and they were themselves. The Doors, I felt like they were the same way. "At the time I started making electronic music, it wasn't a certain scene," Skrillex says. Later in the day, drummer John Densmore is expected to drop in, making this the first time all three will have played together on a track in more than 30 years. As Skrillex preps an agro-dubstep beat to blast over the monitors, we suddenly catch a glimpse of his guests: Robbie Krieger and Ray Manzarek, also known as one half of The Doors.
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A film crew is there to document the moment-one of five segments that will end up in director Amir Bar-Lev's Re:Generation, a documentary tribute to our modern obsession with electronically manipulated music, as seen through the eyes of some of its top producers. Sonny Moore, aka Skrillex, is ensconced in a plush recording studio in downtown Los Angeles, calmly awaiting the arrival of a pair of rock legends. He also swears by Ozone for "tightening up your mix," and loves to mess around with Trash. He's remixed Lady Gaga, La Roux, Bruno Mars and more, and has recorded with the surviving members of The Doors.